The Première Symphonie collection explores the rhythmic and sensory dimension of Chaimaa Mellouki’s painting.
It unfolds as a research into vibration, composition, and movement, where the pictorial surface becomes a resonant space.
This collection marks a more intuitive approach to gesture, while remaining firmly grounded in the structural coherence of the overall body of work.
Collection Premiere Symphonie
Painting as a score
In Première Symphonie, each artwork is conceived as a visual score.
Forms converse like voices, colors collide or harmonize, generating rhythm and tension.
Composition guides the viewer through successive movements, inviting a sensitive and progressive reading of the surface.
Between structure and freedom
While this collection grants a central place to emotion and movement, it remains deeply structured.
Fragmentation, repetition, and the balance of pictorial masses ensure formal coherence, anchoring each work within a controlled contemporary language.
Première Symphonie thus functions as a space of breathing within the artist’s practice, while remaining fully connected to Moroccan Cubism.
